THE HOUSE OF MORA
A modern Indian world, beginning with the wardrobe.
Mora looks at what already belongs to us and asks how it can live differently now.THE PROPOSITION
Indian, without requiring traditional dressing.
The familiar does not need to be preserved exactly as it was in order to remain ours. Mora works with material, colour, memory, proportion and ways of making that feel recognisably Indian, then lets them move into the present.
The result is not costume. It is a wardrobe.
01
The woman comes first.
The wardrobe is built around how she moves, works, travels, repeats and lives.
02
Material carries memory.
Fabric, colour, stitch and surface hold cultural language without needing to announce it.
03
Making stays close.
Natural fabrics, considered quantities and one garment staying close to one maker.
04
Chapters, not seasons.
Each collection extends the world rather than replacing what came before it.
Who the wardrobe is really for.
ENTER MAKINGThe work before the clothes.
ENTER THE CHAPTERSThe wardrobe, built over time.
ENTER FIELD NOTESThe ideas behind the wardrobe.
READTHE CURRENT CHAPTER
RECAST · familiar, anew.
Bidri moves from metal to silk, silver to cutdana, object to garment.
ENTER RECAST
MORA