Embellishment is easy to see. Proportion is often what makes us keep looking.
A garment can have beautiful handwork and still feel wrong if the shoulder is too narrow, the waist begins in the wrong place or the length interrupts the body rather than extending it.
Fit and proportion are different
Fit asks whether a garment is the correct size. Proportion asks what the garment is doing to the body visually.
A jacket can fit perfectly and still end at an unhelpful point. A trouser can be technically correct and still need more width to balance a shorter top. A long dress may need its hem to change direction so the body does not read as one uninterrupted block.
Indian bodies are not one body
Height, shoulder, bust, waist, hip and torso relationships vary widely. Standard sizing can only take a garment so far. This is why Mora works from S through 4XL and Custom, and why fitting remains part of the design process rather than a correction added at the end.
Surface should answer to proportion
Embroidery changes visual weight. Dense work at a shoulder can broaden it. A strong vertical line can lengthen the body. A worked hem can anchor a dress. Once surface enters, it has to participate in the balance of the garment.
That is one reason RECAST does not spread handwork evenly. Placement is a proportion decision as much as a craft decision.
The best cut makes styling easier
When proportion is resolved, the garment needs less help. A column can stand alone. A cropped layer can sit over more than one base. A wide trouser can make a fitted top feel intentional rather than small.
Good proportion does not ask the woman to correct the clothes with styling. It gives her room to wear them her own way.